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Collector Prints { 35 images } Created 7 Jul 2011

I am the only person who will print Collector Series images. Each one is special in its own right. It might be that the elements come together in a way that can not be repeated. It might be the feeling it brings. Whatever reason, I've selected them to be in my signature series.

Rights to these images are not for sale.

The paper and canvas on which they are printed is carefully chosen. The prints are unconditionally guaranteed against fading or color shifts.

A black and white image can be printed in sepia tone if you prefer, or visa versa.
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  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf. A man and woman in the gazebo in Batavia, Illinois are looking out upon the Fox River. The reflections are in the area that leads to the cove. Aspect ratio is 1"w x 1"h.
    APlaceToThink.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf.   Summer rain clouds provide a backdrop as bicyclists cross the tiny isthmus to the island at Fabyan Forest Preserve in Geneva, Illinois.
    BikingFabyanPk.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf..  The sun rising over nearby Lake Michigan creates an array of reflections and shadows in downtown Chicago along the river. Each iron bridge along the Chicago River has a  distinctive tower where the bridge master would raise and lower the bridges to allow passage of boats. This is a view of the back-lit LaSalle Street bridge tender's tower on the Chicago River. Upper Wacker Drive is to the right. Aspect ratio is 1"w x 1"h.
    BridgeTendersTower.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf. The light of dawn streaks across the little meadow area in front of the Windmill in Fabyan Forest Preserve, Geneva, IL  Aspect ratio is 1"w x 1"h.
    CatchingTheWind-HDR.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf.  Snow adorns the little tree outside the Depot Museum in Batavia, IL.  The gray day provided a stark simplicity of colors.  Aspect ratio is 1"w x 1"h.
    Depot_Museum_Tiara.jpg
  • The scene is Island Park in Geneva on the morning of a winter frost in December 2010.  As the reflection in the water indicates, it was a still morning. No wind was blowing.  The sun, weakened by winter solstice, still had the strength to melt the delicate lace before mid-morning.  It was a brief and beautiful moment in time.
    DeWolf_20101229_3593-2.jpg
  • Leaves of Autumn have harbored in shoreline grass on a pond.  At the time this image was captured, the air was calm, the afternoon sun low on the November horizon, and the temperature comfortable.  The day was a welcome pause in nature's annual journey into winter.
    DeWolf_20171111_13050-3.jpg
  • The bedroom was filled with a cool, fresh fragrance on a spring morning.
    DeWolf_20180428_13280-2.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf.  Crystals, light, and joyful dance. The title of this piece is inspired from a C.S. Lewis novel, The Great Divorce where a spirt is talking to a "ghost" who had been an artist. He said, "When you painted it caught glimpses of Heaven." The light is etherial and trees are crystalline.
    DeWolf_20190213_13811-2.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf.  Crystals, light, and joyful dance. The title of this piece is inspired from a C.S. Lewis novel, The Great Divorce where a spirt is talking to a "ghost" who had been an artist. He said, "When you painted it caught glimpses of Heaven." The light is etherial and trees are crystalline.
    DeWolf_20190213_13811.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf.  When Colonel Fabyan wanted to build a bridge across the Fox River joining his properties on both sides, the state of Illinois insisted that it must meet criteria for spanning a navigable waterway. The colonel didn’t see any sense in that since a series of dams obstructed the river every few miles and in the dry months it was about waist deep in the channel. About the only things that “navigated” the Fox were canoes and wading fishermen.<br />
People wonder why there is a lighthouse on the Fox River. Colonel Fabyan built it as a sarcastic edifice to the State’s opinion. Today it still pretends to warn ships that have never navigated the Fox, nor ever will.
    Fabyan'sFolly.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf.   I was looking for pictures on a warm, cumulous-cloud-day along the Fox River one summer. At first I shook my head as two boys, fishing rods in hand,  sloshed along in the river interupting the serenity of the scene I was about to photograph.  However, when they began fishing in front of the bridge they became a welcome point of interest and the title of this river image. Aspect ratio is 1"w x 1"h.
    FishBuddies.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf.  Without an "instrument rating", geese fly fearlessly in dense fog. Blurred by the slow shutter speed, they were captured honking and flapping over the Riverwalk gazebo in Batavia, IL. The moment was a typically windless, quiet foggy day that comes from a warm front blanketing the cold February ground. Hundreds more geese and ducks were resting nervously on the ice to the right of this view. The stillness was broken with muffled sounds of their periodic honking, quacking, and the sound of water flowing gently over the North (Challenge) dam behind me.<br />
<br />
(This image was accepted into the General Collection 2004 in international print competition sponsored by Professional Photographers of America.)  Aspect ratio is 1"w x 1"h.
    FlockOverGazebo.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf.  Flower vendor in an alley of Naples, Italy. The area was quite busy with people walking in the streets and alley, but I simply waited to capture the seller by himself concentrating on his arrangements.<br />
Digital capture.  Aspect ratio is 1"w x 1"h.
    FlowerMan-Square.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf.  Getting back on the bike takes you to another place in another time . . . a good place and a good time.  It was your first vehicle of independence.  Getting your driver's license was your second.<br />
<br />
A ride on a misty, foggy morning in Autumn can take you far away from your concerns.  Along side the too-familiar streets you drive in your car are paths that allow you to have a small vacation without packing bags and setting the light timers.<br />
<br />
On this quiet fall morning, the fog was soon to lift when this rider crossed the Fox River in Geneva. The photo is not a composite blend of bridges. It really looks like this where the Fox River Trail bridge straddles the river beneath the Union Pacific Railroad in Geneva, Illinois. The bridge boards clattered and echoed in the still air and the river gurgled faintly below. It was a fine, fine morning to be feeling your independence . . . and some solitude. Aspect ratio is 1"w x 1"h.
    FoggyRide.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf.  A late March snow has fallen and will soon yield to the warmth of April.  The sun starts to emerge from the steel gray sky and the gates cast a wonderful shadow on the undisturbed snow. Aspect ratio is 1"w x 1"h.
    Gates_B&W_HC.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf.     Geese take wing at the gazebo on the Fox River.
    GeeseInTheCove-Crop.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf.   A Bronze sculpture harkens to the innocence and frivolity of childhood.
    IHopeYouDance-5423.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf.  Dawn light sculpts the Hotel Baker against a cloud-darkened sky. Aspect ratio is 1"w x 1"h.
    JewelOfTheValley.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf.   The sun peeks over the horizen on a misty September morning near La Fox, IL. The farming community is losing out to urbanization and this little piece of its serenity is now documented.
    LaFoxSunrise.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf.    The linear arrangement of the lamposts directs attention to the man resting beneath the beautiful ornate facade of the Louvre.
    LampPostsOfTheLouvre.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf. The Pottawatomie looks out at his former home land as if looking back from frontiers of time. This is the statue titled "Ekwabet" by sculptor Guy Bellavier. Aspect ratio is 1"w x 1"h.
    Potawatomi.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf.  Wintering ducks across the river from the Herrrington Inn in Geneva, Illinois
    RH-HerringtonDucksSnow_12x18.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf.  When Colonel Fabyan wanted to build a bridge across the Fox River joining his properties on both sides, the state of Illinois insisted that it must meet criteria for spanning a navigable waterway. The colonel didn’t see any sense in that since a series of dams obstructed the river every few miles and in the dry months it was about waist deep in the channel. About the only things that “navigated” the Fox were canoes and wading fishermen.<br />
People wonder why there is a lighthouse on the Fox River. Colonel Fabyan built it as a sarcastic edifice to the State’s opinion. Today it still pretends to warn ships that have never navigated the Fox, nor ever will.
    RiverBeacon.jpg
  • This is an open edition print. Canvas prints have a 2 inch black border so it can be gallery wrapped. The print is made using pigmented inks on museum-grade canvas or watercolor paper. Each print also gets a light coating of lacquer protective spray. Each print is hand signed by Brian DeWolf. The Fabyan windmill has been the backdrop for winter sledding for almost 100 years.  On the day this photograph was taken, school was closed, the morning storm had cleared, and sun bathed the little hillside ritual. Aspect ratio is 1"w x 1"h.
    SnowPlay.jpg
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